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The Rodecaster lineup of podcast mixing consoles remains popular with sound professionals. A year ago, the brand introduced its initial multimedia variant, the Rodecaster Video, targeting streamers, video podcast hosts, and live event operators at a premium $1,200 price tag. Now, Rode launches the Rodecaster Video S (RCV-S), a simplified edition that retains core capabilities at under $500, roughly half the debut model's cost.
For users relying on tools like Ecamm Live, OBS software, Stream Deck controllers, Rodecaster Pro or Duo units, video capture devices, or Blackmagic Atem-style switchers, the RCV-S likely provides relevant enhancements. It might substitute for several items, streamline parts of your process, or boost efficiency overall. Though intricate, this setup delivers substantial adaptability.
Rode's follow-up video-oriented Rodecaster provides extensive production features in a more compact form, nearly matching the pricier predecessor despite some trade-offs. The absence of 4K support may disappoint certain users, yet the broad range of options positions it as an attractive choice for diverse content makers.
The device emphasizes video with three HDMI ports, a single USB port for webcam and microphone, and capacity for four NDI or wireless camera feeds. Audio options include two XLR/combination jacks for mics and instruments, plus direct attachment for up to two Rode wireless lavalier mics like the Wireless Go, bypassing a receiver. Similar to Blackmagic's Atem Mini, it delivers 1080p/60 output via HDMI without 4K, or serves as a USB virtual camera for apps like Zoom or Teams.
In contrast to the Pro or Duo models, it lacks physical faders, featuring instead dual rows of buttons for toggling video inputs and scenes. Internal 20GB storage holds media assets like overlays, visuals, and audio/video segments, while users can save recordings to USB drives or broadcast directly to platforms such as Twitch and YouTube using RTMP/S protocols. The setup accommodates varied applications, favoring live formats like streams or podcasts but adaptable for standard YouTube content based on individual methods.
The stark cost reduction from the original Rodecaster Video to the S variant might suggest major cuts, but adjustments remain moderate. Input capacity drops from six to four sources, scene options from seven to five, HDMI ports from four to three, and USB webcam/mic inputs from two to one. Audio stays at nine channels with two headphone jacks, though line outputs are omitted, and the SD card reader is replaced by built-in storage. Connectivity dips slightly but suffices without feeling restrictive, particularly for entry-level audiences.
Essentially, the RCV-S functions as a standalone video switcher: connect sources directly, bypass a computer, and switch live with various transitions. For refined outputs, build scenes through the interface, incorporating multi-camera arrangements, picture-in-picture effects, and more—such as dual-host podcast views, webcam over gameplay, or overhead shots blended with alternate angles for tutorials or talks.
Pre-configure scenes on the unit or apply them spontaneously using presets, but the dedicated Rodecaster software elevates customization. Its scene builder offers a user-friendly visual interface for designing bespoke layouts, allowing free positioning and scaling of elements, plus additions like edges or curved frames.
The primary buttons handle source and scene shifts but also activate media like video snippets, overlays, or images without limiting switch options—simply engage the Media/Overlay mode to repurpose them. Chroma key or green screen effects are configurable onboard or through the app.
After setup, capture output straight to a USB SSD without a computer, choosing single program feed or multi-track files that separate each input for later editing in tools like Adobe Premiere or DaVinci Resolve. This proves valuable for multi-angle shoots, like dance lessons, enabling seamless cuts between wide, main, and close views without sifting through disparate recordings from various cards.
A recent firmware update for the Rodecaster Video enables up to four NDI wireless cameras as extra inputs, often from remote or surveillance models, and Rode's Capture app extends this to phones for cordless operation. Note that the unit requires a wired router connection on the same network as the phone.
Although equipped with nine audio channels, the RCV-S prioritizes simplicity over traditional live mixing due to missing faders; adjustments occur via the compact screen and knob, involving some navigation. Pairing with a PC unlocks the app's fader-equipped mixer for smoother real-time tweaks.
Beneficially, audio processing features like Depth, Sparkle, and Punch from the Pro and Duo carry over, enabling precise vocal refinements for hosts and participants.
A minor issue arises in standalone mode, where scene changes demand button presses, potentially awkward for distant operators or smooth productions. Rode counters this with auto-switching, tied here to audio as it can alternate cameras by loudest sound or preset order, such as active speakers in podcasts, game audio, or instrument play.
This auto feature performs reliably but falls short of full independence in pro settings like conference panels; it aids solo users and accelerates informal podcasts effectively.
Even with reduced inputs compared to the flagship, the RCV-S remains a multifaceted, flexible device. For established streamers with preferred software and hardware, its value hinges on workflow improvements. In live video contexts, it stands out as a rare self-contained solution for independent use.
Blackmagic's Atem line dominates popularity, previously edging out on affordability—the Mini Pro at $330 and Mini Pro ISO at $550 for multi-track output being far cheaper than the original Rodecaster Video. The RCV-S matches in connections, internal recording, superior audio, and multi-export at $50 below the latter.
Content producers face a nuanced decision. As a YouTuber, consolidating gear appeals to streamline desk clutter and recording hassles: currently managing a Rodecaster Duo for sound, a capture card for primary video, and swapping cameras for overhead or extra shots, involving constant replugging and file management.
The RCV-S lets me eliminate the capture card, keep multiple cameras plugged in permanently, and occasionally repurpose the Duo for intensive audio needs. It reduces clutter and enables effortless multi-camera captures, freeing time for core creative tasks.
Drawbacks include no 4K support, prompting me to retain camera-native 4K for uploads while leveraging the RCV-S elsewhere; for modest creators, the ease and adaptability shine. Streamers and live producers gain a robust, feature-rich tool at an entry-friendly price, likely serving as a key workstation for many.
Ultimately, the $500 tag, while substantial, delivers near-identical performance to its costlier sibling with adequate links, making it a straightforward pick for budget-conscious holdouts. Beginners seeking reliable video and audio integration will find a strong argument in the Rodecaster Video S.